It is very strange to me to say this, but thank you Stephen King.
I mean this sincerely although you have hurt me personally and professionally, and countless other people with your writing.
It is strange for me, a clown be to be thanking you, Stephen King, a man who is singlehandedly responsible for more cases of coulrophobia than any other single human who ever lived. The majority of people I speak to about “fear of clowns,” which has numbered in the dozens, possibly hundreds in my 30-year career, trace their fear back to your book and movie “It.”
You probably didn’t realize that would be the effect of your work; you probably didn’t mean to give a complex to children too young to be watching your movie on cable TV about a homicidal interdimensional being that takes on the guise of a whiteface clown. But you did. You probably didn’t mean to shift (mostly American) attitudes against an ancient profession (older than writing, mind you), but you did.
Still, I thank you.
You see, I am working on a novel. My first novel. What I am thanking you for is a quote of yours on writing, which I just saw the other day:
“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”
Well said; succinct. Like a man who has practiced the craft, as well as the Art of good writing. You have inspired me to “get up and work.” I’ve been slacky about getting it written: “I’m not in the mood,” or “I don’t know how to proceed.” You have inspired me to push through my self-doubt and write every day. So thank you.
By the way, my first novel is about a medieval clown. That’s irrelevant, but I thought it might be interesting to you. . I’m sure it will be garbage. I realize that when learning to write, the first million words are just practice.
The book will probably be 50-80,000 words when all is done. So, doing the math, it will be around my 12th novel ––the one where I really am able to use the English language with the precision of a surgical laser and readers are dying to read my every word –– that I will write a story in your honor, for which this is the synopsis:
Working title: “That”
Early 1960s. The story opens with a sort of nerdy child stopping on the curb in front of his suburban house after school to read a book. From the bushes, he hears a voice: “Child — child — would you like some free books?”
Enter the imposing figure of the bespectacled Featherweight the Dancing Horror/Fantasy Writer. Featherweight really only appears to be human; “That” is actually an interdimensional creature that feasts on the flesh of outcast children. After a series of bloodbaths, the children of the town beat him back to Dimension X by hurling at him a barrage of split infinitives and broken metaphors.
(Flash Forward)
Featherweight returns in the late 1990s, having gained his strength back over the ensuing 30 or so years. Like a bad simile, he always turns up –– largely rejuvenated by the inexplicable fame of The New Kids on the Block. Unfortunately for him, but fortunate for Mankind, he is immediately squashed once he reads the level to which writing has sinked in the then nascent World Wide Web. Forevermore thereafter, the world is safe from homicidal interdimensional horror/fantasy writers.
The end.
Mr. King? I look forward to being seen as a professional in your eyes.
