35/365 Getting in Shape

Day 35 Getting in Shape. I actually sketched this out the other day but wanted to do something different with the background, and splicing two images together is easier on the computer, hence the computer coloring.
Day 35 Getting in Shape. I actually sketched this out the other day but wanted to do something different with the background, and splicing two images together is easier on the computer, hence the computer coloring.

Day 35 Getting in Shape. Part of the brainthought that brought about “Whoa, Dude!” (Day 28) and “Eternal Beauty” (Day 29) … just imagining what life would be like with our body parts configured differently.

Because I didn’t like the original background, I drew a new one onto a different sheet and spliced the two images together digitally, and decided to color by computer. It’s actually more fun to color by hand, I am finding. The allure of the “undo” makes you sloppy. I got aggravated after a while. I’m clearly out of practice with coloring in photoshop. Photons behave very differently from waterborne pigments on textile.

Maybe I’m a dinosaur, but I really like the feel of Nature. I’ll do digital art, but a stylus on glass is missing that drag of the pencil, or brush across the texture of the paper, canvas, or board. One thing that bothers me about acrylic paints is it’s really just air-dried plastic. Of course, that means your art won’t biodegrade, and maybe that’s a good thing.

I really miss the organic feel of the watercolors. Funny; I’ve done so much computer-colored work in the past because it’s “more versatile,” but it’s amazing how old school brush and pigment just … is easier, and it feels more real. It would probably help if I pulled out my Wacom tablet, but still, ugh — it just feels unnatural.  (Get off my laaaawn!)

About Rich Potter

Rich Potter's formative years were spent dreaming and drawing. Undiagnosed with Attention Deficit Disorder until his 40s, his travels have spanned 22 different countries. His appearances in Ringling Bros. and Barnum & Bailey Circus and on The Late Show with David Letterman weren't interesting enough, so one year, he completed a painting every day. Now he writes, performs comedy and produces a monthly clown cabaret in Washington DC. And other stuff, too.

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